Public Opinion 1.1.2.3: Unterschied zwischen den Versionen

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But the most interesting kind of portraiture is that which arises spontaneously in people's minds. When Victoria came to the throne, says Mr. Strachey, [Footnote: Lytton Strachey, Queen Victoria, p. 72.] "among the outside public there was a great wave of enthusiasm. Sentiment and romance were coming into fashion; and the spectacle of the little girl-queen, innocent, modest, with fair hair and pink cheeks, driving through her capital, filled the hearts of the beholders with raptures of affectionate loyalty. What, above all, struck everybody with over-whelming force was the contrast between Queen Victoria and her uncles. The nasty old men, de-bauched and selfish, pigheaded and ridiculous, with their perpetual burden of debts, confu-sions, and disreputabilities—they had vanished like the snows of winter and here at last, crowned and radiant, was the spring."
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Jean de Pierrefeu [Footnote: Jean de Pierrefeu, G.Q.G. Trois ans au Grand Quartier General, pp 94-95.] saw hero-worship at first hand, for he was an officer on Joffre's staff at the mo-ment of that soldier's greatest fame:
 
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Jean de Pierrefeu [Fußnote: Jean de Pierrefeu, G.Q.G. Trois ans au Grand Quartier General, S. 94-95.] sah Heldenverehrung aus erster Hand, denn er war ein Offizier in Joffres Stab im Augenblick des größten Ruhms dieses Soldaten:
 
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Aktuelle Version vom 29. November 2017, 16:38 Uhr

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Jean de Pierrefeu [Footnote: Jean de Pierrefeu, G.Q.G. Trois ans au Grand Quartier General, pp 94-95.] saw hero-worship at first hand, for he was an officer on Joffre's staff at the mo-ment of that soldier's greatest fame:

Jean de Pierrefeu [Fußnote: Jean de Pierrefeu, G.Q.G. Trois ans au Grand Quartier General, S. 94-95.] sah Heldenverehrung aus erster Hand, denn er war ein Offizier in Joffres Stab im Augenblick des größten Ruhms dieses Soldaten:

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Quelle

Public Opinion, Walter Lippmann, 1922.

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